Radical Immanence and the Disappearing Self – a Polemic Defence of Miley Cyrus.

In an industry that converts any potential expression of rebellion into a toothless commodity of spectacle, Miley Cyrus, with Dead Petz, by fully embracing herself as an absurdity, performs a synthesis of self-expression with the very conditions that prefigure the impossibility of such, to produce something both entirely absent and violently immediate, both impossible and … More Radical Immanence and the Disappearing Self – a Polemic Defence of Miley Cyrus.